Filmmakers today have more choices than ever — from cinema-focused bodies to hybrid all-rounders. These three cameras target slightly different creators, but all aim to help you make high-quality video content.
Overview: What They Are
- Nikon ZR – Nikon’s new full-frame video-centric camera with professional video specs and RED-influenced RAW workflow at a competitive price.
- Canon EOS C50 – Canon’s compact cinema camera with 7K open gate, internal RAW, and Canon’s color science.
- Sony FX2 – A full-frame cinema/hybrid camera positioned for creators needing excellent balance of performance, IBIS, and workflow.
Sensor & Video Capabilities
Resolution & Formats
- ZR: Up to 6K/60p internal RAW and 4K 120p with professional codecs.
- C50: Up to 7K video internally without crop and high-speed options.
- FX2: 4K up to 60p (with crop for higher frame rates).
* Winner for resolution flexibility: C50 > ZR > FX2 (C50 offers the highest raw resolution and creative framing space.)
Stabilization & Autofocus
- ZR: Built-in 5-axis IBIS, excellent for handheld and run-and-gun shooting.
- FX2: Also has IBIS and strong AF performance, ideal for solo creators and dynamic shooting.
- C50: No IBIS, relying on stabilized lenses or gimbals — cinema-style approach.
* Winner for hybrid handheld shooting: ZR & FX2 (both offer built-in stabilization).
Low Light & Dynamic Range
- ZR: RED-inspired high dynamic range and strong color science, though codec quality and edge detail vary.
- C50: Excellent Canon color science and wide latitude for grading.
- FX2: Dual ISO and noise handling help in low light, with generally clean results.
*Low-light edge: FX2 slightly leads for noise handling, followed by ZR and C50.
Screen & Usability
- ZR: Large 4″ bright screen — great for monitoring outdoors.
- C50: Standard cinema ergonomic screen, no EVF.
- FX2: Fully articulated screen and viewfinder, useful in varied shooting conditions.
*Best for monitoring: ZR (screen) and FX2 (screen + EVF).
Workflow & Recording
- ZR: Supports multiple internal RAW formats (R3D NE, ProRes RAW, N-RAW) and high bit-depth options.
- C50: Cinema-focused internal RAW and log options, dual-slot recording.
- FX2: Strong codec support and Sony’s reliable ecosystem integration.
*Best for post flexibility: ZR (RAW options) and C50 (trusted cinema workflow).
Pros & Cons at a Glance
| Camera | Strengths | Weaknesses |
|---|---|---|
| Nikon ZR | Affordable RAW video, IBIS, big screen | Lacks full-size pro ports, ecosystem still growing |
| Canon C50 | Highest resolution video, Canon color science | No IBIS, heavier |
| Sony FX2 | IBIS + EVF, great hybrid usability | Lower top resolution |
Who Should Choose Which?
Choose the Nikon ZR if you want:
- A professional-level RAW video camera at a great price
- Built-in stabilization and large screen for run-and-gun
- Multiple internal RAW formats for deep post workflows
Choose the Canon C50 if you want:
- Maximum resolution (7K Open Gate)
- Canon’s color science and elegant cinema workflows
- A dedicated cinema camera for narrative, commercials, indie films
Choose the Sony FX2 if you want:
- A balanced hybrid camera with great stabilization and autofocus
- Lightweight, versatile shooting for documentaries, weddings, events
Final Take
There’s no single “best” camera — only the best for your style of filmmaking:
- Resolution & Cinema look: Canon C50
- Raw flexibility & value: Nikon ZR
- Hybrid everyday use: Sony FX2
Each has strengths depending on your workflow, budget, and shooting needs.
– Dark Screen Production